Elias had always lived by the clock—waking at six, training by seven, studying until noon, then moving through his afternoons like a pendulum swinging between responsibility and expectation. Time, for him, was not a measure of freedom but of obligation. It was the quiet authority that shaped every hour of his life.
But the clock in the old observatory didn’t tell time anymore. Its hands were rusted in place—permanently paused at 3:11—and its face was half-shadowed by ivy that had crept through the cracked dome above. Elias discovered it by accident during one of his aimless walks, the kind he took only when the pressure of planning had exhausted him.
Something about the brokenness of the place made him stay. He returned the next day, then again the day after. He began bringing a sketchpad, then a notebook, writing thoughts he never allowed into his daily planner: What would I do if no one was watching? What does ambition mean when it’s no longer timed?
As the weeks passed, Elias found himself pulling away from the carefully mapped path he had followed for years. The observatory became his clockless sanctuary—where minutes weren’t counted and progress wasn’t measured. He began to paint again, something he hadn’t done since he was ten. At first, the strokes were timid, as if asking permission. But soon, they stretched across canvas with a kind of urgency—not to impress, but to release.
He never told anyone about the observatory. It wasn’t a rebellion. It was a return. To a version of himself not defined by outcomes but by intention. In silence, without deadlines, he began to hear a quieter rhythm: the pull of curiosity, the ache of creation, the weight of his own questions.
When graduation came, Elias walked across the stage, accepted his diploma, and smiled politely. No one knew that he had declined three offers. Or that he was moving to a small coastal town with only his canvases and a promise to himself: to live one year without measuring it.
In his journal, he wrote: *There is a kind of time that doesn’t tick. It waits. It listens. It shapes you not by how much you do, but by what you notice when you stop counting.*
Q1: What internal conflict does Elias experience in the story?
Q2: What does the observatory symbolize for Elias?
Q3: How does the author use the broken clock to support the story’s theme?
Q4: Why is the line 'What would I do if no one was watching?' significant?
Q5: What theme is most prominent in the story?
Q6: How does the tone of the story contribute to its message?
Q7: What does Elias’s decision to move to a coastal town suggest about his character development?
Q8: What literary device is used in the final journal line, 'There is a kind of time that doesn’t tick…'?
Printable Comprehension Practice
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Q1: What internal conflict does Elias experience in the story?
✅ Correct Answer: B
💡 Reasoning: Elias is caught between external expectations and his rediscovered desire to live intentionally and creatively.
Q2: What does the observatory symbolize for Elias?
✅ Correct Answer: C
💡 Reasoning: The observatory becomes a metaphorical space where Elias detaches from external structure and reconnects with himself.
Q3: How does the author use the broken clock to support the story’s theme?
✅ Correct Answer: C
💡 Reasoning: The frozen clock serves as a metaphor for Elias’s choice to detach from time-driven achievement and embrace presence.
Q4: Why is the line 'What would I do if no one was watching?' significant?
✅ Correct Answer: B
💡 Reasoning: The question signals a turning point where Elias begins to reflect on authentic motivation and purpose.
Q5: What theme is most prominent in the story?
✅ Correct Answer: C
💡 Reasoning: The narrative emphasizes Elias’s personal growth as he detaches from societal timelines and expectations.
Q6: How does the tone of the story contribute to its message?
✅ Correct Answer: C
💡 Reasoning: The tone is meditative and thoughtful, mirroring the main character’s shift toward internal alignment and peace.
Q7: What does Elias’s decision to move to a coastal town suggest about his character development?
✅ Correct Answer: C
💡 Reasoning: Elias’s move reflects his decision to live with intention rather than adhere to societal expectations.
Q8: What literary device is used in the final journal line, 'There is a kind of time that doesn’t tick…'?
✅ Correct Answer: C
💡 Reasoning: The line metaphorically describes a concept of time based on presence, not measurement.